segunda-feira, 27 de junho de 2011
Wine #10 - Casa Santa Vitória 2008 @Tasca da Esquina
The other day we went to Tasca da Esquina, a kind of recent place that was taken by one the most famous Portuguese Chefs (Vitor Sobral). His idea was to make a comfortable, nice and affordable place to eat informal food. We had the 4-course dinner and it was amazing at a very reasonable price. It's in Campo de Ourique and I strongly recommend to anyone living in or visiting Lisbon, But I'm mentioning this restaurant mostly because during this dinner, I had the chance to taste a wonderful wine, again at a very reasonable price. The wine is Casa Santa Vitória 2008. At the wine shops, this wine is sold at less than 5 Eur. It's from Alentejo, with an incredible smell and a very dark colour. You can consult some tasting notes (in portuguese) here.
quinta-feira, 2 de junho de 2011
Movie #21 - The tree of life
It is a bit hard to talk about this movie. First, I need to mention that in the session I was in, there was some kind of problem with the copy that was being projected in terms of editing. It seemed to be a mix of two different films: one was a documentary for National Geographic and the other one was Terence Malick's movie and these two got mixed during editing and that editing was made in a Mac, that's why I kept seeing Mac's screensaver at some points in a movie.
Obviously this is just a (bad) joke that I am using to talk about a film that carries some of the most beatiful images I've ever seen on film. When you read about The tree of life there will always be someone mentioning the dinoussaurs and the big sun and the screensavers (sic). But that's not the movie. It's part of it, not pivotal but complementary to the movie. How about the rest of the movie? How was it? It was wonderful. It's not simply the photography that is wonderful and the beatiful photography wasn't just present in those "documentary-kind" portions of the movie. It was always present along with some of the most beatiful pieces of music ever created. It is easy to compare this movie to Kubrick's 2001 A Space Odissey but some of the most fantastic parts in the movie are nothing close to Kubric's style and story types.
Let me illustrate this by explaining how one of my favourite aspects of the movie is simply about the way he films and presents the family. So, the movie follows the life of a young couple as they are about to become parents and follows from birth, the childhood of Jack and his two little brothers. At this point, everyone mentions how these kids are raised by a mother that follows the way of grace and by a father that represents a tougher view of life, closer to Nature's competitive system. But that's one very restrict metaphysical opposition that I felt like a limitation of the movie. What I found incredible in this part of the movie is how it felt like. What it really felt like was that Terence Malick spent a decade with this family and taped most of their moments in everyday life. At the end of this decade, he started editing a film of about an hour about this decade. It's a brilliant work of editing that was only possible by having thousands of hours of filming made before hand.
I could say more about this movie as I think this movie will be part of movie history and as most movies that reach this status, it will be greeted with love and hate to the same extent. But for now, the only thing I feel like being left to say is: You can say whatever you want about the movie but I consider that it is impossible to say that this is not a fantastic piece of work and that's why this movie made the list.
Obviously this is just a (bad) joke that I am using to talk about a film that carries some of the most beatiful images I've ever seen on film. When you read about The tree of life there will always be someone mentioning the dinoussaurs and the big sun and the screensavers (sic). But that's not the movie. It's part of it, not pivotal but complementary to the movie. How about the rest of the movie? How was it? It was wonderful. It's not simply the photography that is wonderful and the beatiful photography wasn't just present in those "documentary-kind" portions of the movie. It was always present along with some of the most beatiful pieces of music ever created. It is easy to compare this movie to Kubrick's 2001 A Space Odissey but some of the most fantastic parts in the movie are nothing close to Kubric's style and story types.
Let me illustrate this by explaining how one of my favourite aspects of the movie is simply about the way he films and presents the family. So, the movie follows the life of a young couple as they are about to become parents and follows from birth, the childhood of Jack and his two little brothers. At this point, everyone mentions how these kids are raised by a mother that follows the way of grace and by a father that represents a tougher view of life, closer to Nature's competitive system. But that's one very restrict metaphysical opposition that I felt like a limitation of the movie. What I found incredible in this part of the movie is how it felt like. What it really felt like was that Terence Malick spent a decade with this family and taped most of their moments in everyday life. At the end of this decade, he started editing a film of about an hour about this decade. It's a brilliant work of editing that was only possible by having thousands of hours of filming made before hand.
I could say more about this movie as I think this movie will be part of movie history and as most movies that reach this status, it will be greeted with love and hate to the same extent. But for now, the only thing I feel like being left to say is: You can say whatever you want about the movie but I consider that it is impossible to say that this is not a fantastic piece of work and that's why this movie made the list.
Is there anything funnier than bunnies killing themselves?
Subscrever:
Mensagens (Atom)